LDE FREN1651

Traité de la Peinture, de Léonard de Vinci
1651
Giacomo Langlois, Paris

View

• Pages
• Chapters
• Illustrations

Compare	Compare the text of this volume with the text of another manuscript or printed edition. Compare the illustrations of this volume with the illustrations of another manuscript or printed edition.
Text with	VU: Urb. Lat. 1270 BA: B 271 CE: Cortona F4: FN2: Badia FN3: Vallombrosa FM3: Jesuit C1: Ganay 1 C2: Ganay 2 N1: NU: MM: FA: Academy F5: Ricc. 2276 FN1: II. III. 278 F1: Ricc. 1185 F2: Ricc. 2136 F3: Ricc. 2191 F6: Ricc. 3208 FL1: Laur. 1299 FL2: 457 Acq. doni FM1: Susini FM2: Gaddi FP1: Pal. 783 FP2: Pal. 962 FP3: Pal. 1148 L2: Belt 36 M2: H 227 M3: H 228 M4: H 229 inf. P1: 967 S1: Hermitage VO1: Ott. 2978 VO2: Ott. 2984 VB: Barb. Lat. 4304 ME: App. 803 MV1: ERV C. III 43 MV2: E II, 6 R1: Corsini 402 RC1: 968 RC2: 5018 VM1: 5135 VM2: 5372 L1: Belt 35 M1: Pinelli MSA: MSA1: MSA2: MSB: MSB1: MSB2: MSC: MSD: MSE: MSF: 2177 MSG: 2178 MSH: MSI: MSK: MSL: MSM: AR: C.A: FO1: FO2: FO3: HA: MAI: MAII: TR: W: ITAL1651 - b FREN1651 - b ENGL1721 - b ITAL1817 - b
Illustrations with	VU: Urb. Lat. 1270 BA: B 271 CE: Cortona F4: FN2: Badia FN3: Vallombrosa FM3: Jesuit C1: Ganay 1 C2: Ganay 2 N1: NU: MM: FA: Academy F5: Ricc. 2276 FN1: II. III. 278 F1: Ricc. 1185 F2: Ricc. 2136 F3: Ricc. 2191 F6: Ricc. 3208 FL1: Laur. 1299 FL2: 457 Acq. doni FM1: Susini FM2: Gaddi FP1: Pal. 783 FP2: Pal. 962 FP3: Pal. 1148 L2: Belt 36 M2: H 227 M3: H 228 M4: H 229 inf. P1: 967 S1: Hermitage VO1: Ott. 2978 VO2: Ott. 2984 VB: Barb. Lat. 4304 ME: App. 803 MV1: ERV C. III 43 MV2: E II, 6 R1: Corsini 402 RC1: 968 RC2: 5018 VM1: 5135 VM2: 5372 L1: Belt 35 M1: Pinelli MSA: MSA1: MSA2: MSB: MSB1: MSB2: MSC: MSD: MSE: MSF: 2177 MSG: 2178 MSH: MSI: MSK: MSL: MSM: AR: C.A: FO1: FO2: FO3: HA: MAI: MAII: TR: W: ITAL1651 - d FREN1651 - d ENGL1721 - d ITAL1817 - d

Chapter

LDE T0481   CID333  333. D'où vient qu'une chose peinte, encore qu'elle vienne à l'oeil sous la même ouverture d'angle qu'une autre réelle, lquelle en est esloignée, la peinte ne semble jamais si esloignée que la naturelle

Illustrations:

Transcription

< Previous Chapter  CID333 [Page 116]  Next Chapter>